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Temporary tonicization with a secondary dominant

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Degrees and function

A secondary dominant directs dominant energy toward a chord other than the tonic. This temporary tonicization need not establish a full new key. Resolution helps identify the chord’s function.

In C major, D major or D7 can lead to G as V/V. F-sharp strengthens the pull to G. Returning to the C-major context afterwards makes the temporary nature of the event clearer.

Example

C–D7–G7–C uses a dominant of the dominant.

Temporary tonicization with a secondary dominant

D7 → G → C

Try it

What is the root of V/V in C major?

AnswerD; its target is G.

Related topics

What tonic and dominant do · Leading voices between chords

References

Music Theory for the 21st-Century Classroom

Subject-expert review pending.